Kaleidoscope (2007) for oboe, bassoon, and piano trio received its world premiere performance by the Sundance Trio during the 2007 International Double Reed Society Convention at Whalen Hall, Ithaca School of Music, Ithaca, New York on June 12, 2007. It has recently been recorded on the Centaur label.
Gestures (2001), a three-movement work for solo violin, solo viola, flute, oboe, clarinet, bassoon, trumpet, violin, viola, and cello was commissioned by Igor and Vesna Gruppman in August of 2001. It was commissioned for the April 2002 Contemporary Music Festival at the Moscow Conservatory, Moscow, Russia. The three movements are entitled: Impatience, Disparate, and Exuberant.
Rememberings (1997) for cello and piano premiered at the Lee Law Library, Brigham Young University, at the inaugural "First Friday" recital, by the Drinkall-Baker Duo, September 1997. Commissioned and recorded by Sanctus Records, 1998.
Five Sketches for Brass Quintet (1996) was commissioned by the Barlow Endowment for Music composition at Brigham Young University. It was written for the Eastman Brass in 1996.
Conversations (1995), a three-movement piece for cello and piano duo, was premiered by the Drinkall-Baker Duo, November 1995. The following summer, the duo performed this work as part of their tour to Bolivia. Recorded by Tantara Recordings.
Two's Company (1995), a violin and cello duo was commissioned by Mark Taylor of the Kansas City Conservatory, and was premiered by him and Trilla Ray in March of 1995 at the Conservatory.
Intarsia (1989), a solo for trombone with brass and percussion, was performed by John Marcellus with the Eastman Brass Guild and percussion in Kilbourne Hall at the Eastman School of Music in March of 2006.
Images (1982), a three-movement work for solo tuba, brass, and percussion, was commissioned by Dr. Cherry Beauregard of the Eastman Brass, Eastman School of Music, Rochester, New York. Beauregard and the full brass and percussion sections of the Rochester Symphony Orchestra gave the premiere performance in September 1982 at Kilbourne Hall in Rochester, New York.
Expansions (1980) for solo percussion
Oboe Sonata #1
Oboe Sonata #1 (1980), a three-movement work for oboe and piano
Interlude (1980) for eight violas
Movimentato (1973), four short movements for solo bassoon
"5", for French Horn and String Quartet, was written in 1969. It received its premiere performance in Utah by the Group for New Music in March of 2006 in the Madsen Recital Hall at BYU. It was performed by performance majors from BYU.
Millennium (2003) for orchestra was commissioned by Prof. Eric Hansen, Director of the BYU Symphony Orchestra, for performance in their December 2003 concert in the DeJong Concert Hall, Brigham Young University.
Millennium II (2003) for wind ensemble received its world premiere by the Meadows Wind Ensemble, Southern Methodist University, conducted and commissioned by Dr. Jack L. Delaney in Caruth Hall, Southern Methodist University, Dallas, Texas in September 2004.
Interior Windows (2000) for wind ensemble was commissioned by Dr. Jack Delaney, conductor of the Southern Methodist University Wind Ensemble. The world premiere was in February 2000 in Dallas, Texas.
Excursions (1985), a two-movement work for wind symphony and percussion, commissioned by Dr. David Blackinton and the BYU Wind Symphony, was premiered at the 1985 College Band Directors National Association Convention at the University of Colorado. It is recorded on the Silver Crest label of Golden Crest Records.
Contrasts (1982), a two-movement work for symphonic band, was commissioned by the Jackson, Ohio Commissioning Project for the Jackson High School Symphonic Band. It was premiered in April of 1982 in Jackson, Ohio. The mayor and city council designated the week of the performance as David H. Sargent Week in Jackson, Ohio.
Spectrums (1979), for wind symphony and percussion, was composed in 1979 as a gift to Dr. Ronald P. Socciarelli and the Ohio University Wind Ensemble for the 175th Anniversary and Founders Day Celebration of Ohio University. A delegation of dignitaries sent by President Jimmy Carter was on campus for the event.
Mosaics (1977), a four-movement work for a 25-piece wind ensemble and 6-8 modern dancers, was commissioned by Ronald P. Socciarelli and the Ohio University Wind Ensemble and Temple University's professional Great Chazy Dance Company. It was recorded by Golden Crest Record Co. in 1977 on their Silver Crest Label as part of the 1977 College Band Directors National Association Convention, University of Maryland, College Park, MD.
In Burning Vision: Sonnets on Joseph Smith (2005), a twenty-minute, five-movement song cycle, commissioned by the Barlow Endowment for Music Composition, written for tenor (Dr. Lawrence Vincent) and piano (Dr. Scott Holden) for the celebration of the Prophet Joseph Smith's 200th birthday, was premiered on 23 December 2005, the prophet's birthday, in the Madsen Recital Hall, Brigham Young University as part of the School of Music's Celebration Series for the Prophet Joseph Smith.
Praise Ye Him (2005), for a cappella choir (SATB) and Cello, was commissioned by the Utah Baroque Ensemble and was premiered at the August 2005 International Kodaly Music Education Conference at the University of Leicester, Leicester, England, along with other performances in England and Wales. Other performances include the All Saints Church, Swansea, Wales; Bath Abbey, Bath, England; Holy Trinity Church, Stratford-Upon-Avon, Stratford, England; Leicester Stake Center Fireside, Leicester, England; and the Saint Paul Cathedral, London, England.
Bless the Lord
Bless the Lord (2002), for a cappella choir (SATB), was commissioned by the Utah Baroque Ensemble as part of the 2002 Cultural Olympiad Concert Series. It was also performed by the BYU University Singers, directed by Dr. Ronald Staheli, as they toured the eastern United States and Canada.
Come, Come Ye Saints
Come, Come Ye Saints (2001), arranged for a cappella choir (SATB), was commissioned in 2001 by the Utah Baroque Ensemble for their tour in Germany. It was performed at the dedication of the Karl G. Maesar statue in Dresden, Germany.
Mirth (2001), a piece for advanced children's chorus or women's chorus (SSAA), was premiered in March 2001 at Gardiner Hall at the University of Utah. The following day, Sunday, it was performed on the Mormon Tabernacle Choir's "Music and the Spoken Word" by a choir of 350 children selected from California and Utah.
Come, Come Ye Saints
Come, Come Ye Saints (1998), arranged for a cappella choir (SSAA), for the Utah Children's Choir, was commissioned by its director, Kay Asay, for the choir's performances in Italy. The premiere performance was in Florence, with other performances in Florence and Rome.
Dove Gray Evening
Dove Gray Evening (1985), for mezzo-soprano and piano, a winner of the 1985 North/South Consonance Call for Compositions, New York City. Its national premiere was at Christ and St. Stephen's Church, Lincoln Center for the performing Arts, New York City, October 1985, by Mary Ann Hart and Max Lifchitz.
Seasons' Turn (Quarterly Report)
Seasons' Turn (1984), for chamber choir and piano, was commissioned by Dr. Ronald Staheli, and premiered at Brigham Young University, March 1985, in the DeJong Concert Hall by the BYU University Singers.
Nunc Sancte Nobis
Nunc Sancte Nobis (1973), for a cappella choir
Se Passer (1970), for vocal quartet, piano, and string quartet
The Raising of Lazarus (2004), a work for piano, was commissioned by Glen Nelson for the Mormoniana Project in New York City, 2004. It was a commission that had to musically describe a painting by a Mormon artist. Dr. Sargent chose a work by Bruce Smith (BYU Professor of Art) entitled "The Raising of Lazarus." It has been professionally recorded by Grant Johannesen. Dr. Sargent was one of sixteen LDS composers chosen for this project. The Raising of Lazarus appears as one of 16 scores in a publication with a CD entitled Mormoniana, along with the pictures of each of the paintings.
Two Sketches for Piano
Two Sketches for Piano (2001) was written and premiered in 2001 at Weber State University, in Ogden, Utah, for Dr. Sargent's daughter's senior recital as a piano pedagogy major.
Musings on Chopin
Musings on Chopin (1998), a single-movement work, was commissioned by KBYU for Stella Simakova, a world-renowned Russian pianist, to commemorate Chopin's 150th birthday.
Collage (Sky Scape)
Collage (Sky Scape) (1986), for solo piano, was com- missioned jointly by the UMEA and MTNA for Benedetto Lupo, bronze medalist for the 1986 Gina Bachauer international Piano Competition.
Three of a Kind (1993), a three-movement work for Roland HP2700 Digital Piano, premiered in April 1993 at Brigham Young University in a concert of the Group for New Music. This work was premiered on a Yamaha Disklavier so the audience could watch the "keyboard choreography."
Transformations (1994), a work for disklavier or midi-piano, was written for a concert of new music in honor of Merrill Bradshaw at the time of his retirement and premiered in February 1994 at Brigham Young University.
Speculations (2003), a three-movement work for Carillon, was commissioned and performed by Neil Thornock, July 10, 2003 and was premiered at the Cathedral of St. John the Evangelist in Spokane, WA. This piece is published by the GCNA (2008).
Skyscape (2002) was commissioned by Neil Thornock during June 2002 for its national premiere performance at the Annual Congress of The Guild of Carillonneurs in North America, University of Michigan, Ann Arbor, Michigan. This piece is published by the GCNA (2008).
A Child is Born in Bethlehem (2001), an arrangement of a 14th Century Carol for organ, was performed in Zurich, Tamins, and Chur, Switzerland during the first week of December 2001 by Dr. Douglas Bush of the BYU Artist Faculty.
Sonata for the Church
Sonata for the Church (1997), for organ and cello, in neo-baroque style, was performed and professionally recorded in Dornheim, Germany during May 2007 by Dr. Douglas Bush and Nathan Jasinski. Dr. Bush commissioned Sonata for the Church and, along with Dr. Jasinski, gave its world premiere performance in November 1997 in Tacoma, Washington and later at Brigham Young University.
Intuitions for Organ (1993) was commissioned by the Barlow Endowment for Music Composition and premiered in August 1993 in the DeJong Concert Hall at BYU by Dr. Don Cook of Brigham Young University's Performance Faculty at the Workshop for Church Music.
Remembrances (1984), for solo organ, was commissioned by the Friends of the Nieder-moos Organ, Nieder-moos, Germany. It was performed in Nieder-moos, Munich, Kiel, Luneberg, and Augsberg, Germany; Copenhagen, Denmark; Basil and Bern, Switzerland; and Strasburg, France; by Dr. Douglas Bush of the BYU Performance Faculty during his 1984 European concert tour.
Prelude and Fugue in c# minor
Prelude and Fugue in c# minor (1982) for organ was commissioned and performed by Dr. Douglas Bush on an extensive European tour.
Recollections (1980), a work for organ and trumpet combining contemporary and baroque music concepts, was commissioned and performed by Dr. Douglas Bush at the Provo Tabernacle, the Mormon Tabernacle and Assembly Hall in Salt Lake City, North Texas State University, and on a European tour.
Three Moments for Organ
Three Moments for Organ (1970), a three-movement organ solo, was performed by Marcos Kriegger at the State, Regional, and National MTNA Collegiate Organ Competitions, winning 1st place at the State and Regional levels and 3rd place at the National level (January, February, and April 1993.)
At the River (1998), an arrangement for classical guitar, was commissioned by Sanctus Recordings for their Nauvoo album in 1998, performed by Lawrence Green (BYU Artist Faculty) at Temple Square, Brigham Young University, and the Springville Museum of Art.
A Child is Born in Bethlehem
A Child is Born in Bethlehem (1997), variations on the traditional Christmas carol for classical guitar, was commissioned and performed by Lawrence Green at BYU and at the Assembly Hall in Salt Lake City in 1997.
We Give Thee But Thine Own
We Give Thee But Thine Own (1996), a single-movement theme and variation arrangement for classical guitar, was premiered by Lawrence Green in performances at the Springville Art Museum, BYU, and the Assembly Hall in Salt Lake City in 1996. It was commissioned and recorded by Sanctus Records.